Outsourcing post-production doesn’t need to feel like pulling teeth.
Helping photographers and agencies around the world in their pursuit of crafting better images has been the core of my work for the past couple of years.
For raw development I use CaptureOne, then transition to Photoshop where most of the work and all kinds of shenanigans are happening. For fine color adjustments I prefer to temporarily take the shots inside DaVinci Resolve. Every stroke is made on a Wacom tablet.
Over the years I had the pleasure to do retouching and post-production work for world-renowned brands and magazines, including Vogue, Harper’s Bazaar, L’Officiel, Tiffany&Co, Gucci, Dior and Douglas, to name a few.
Most of my professional relationships and connections are lengthy and longstanding.
I care about delivering good work and people naturally come back as a result.
Scrolling down will take you to an overview of my retouching and advertising portfolio.
For a better experience and higher res images, please access the website on a larger screen laptop or desktop.
Outsourcing post-production doesn’t need to feel like pulling teeth.
Helping photographers and agencies around the world in their pursuit of crafting better images has been the core of my work for the past couple of years.
Over the years I had the pleasure to do retouching and post-production work for world-renowned brands and magazines, including Vogue, Harper’s Bazaar, L’Officiel, Tiffany&Co, Gucci, Dior and Douglas, to name a few.
Most of my professional relationships and connections are lengthy and longstanding. I care about delivering good work and people naturally come back as a result.
Scrolling down will take you to an overview of my retouching and advertising portfolio. For higher res images please access the pages at the top menu.
Upon request, I can share more specific shots for a better thorough examination.
For raw development I use CaptureOne, then transition to Photoshop where most of the work and all kinds of shenanigans are happening. For fine color adjustments I prefer to temporarily take the shots inside DaVinci Resolve. Every stroke is made on a Wacom tablet.
Outsourcing post-production doesn’t need to feel like pulling teeth.
Helping photographers and agencies around the world in their pursuit of crafting better images is the core of my work.
Over the years I had the pleasure to do retouching and post-production work for world-renowned brands and magazines, including Vogue, Harper’s Bazaar, L’Officiel, Tiffany&Co, Gucci, Dior and Douglas, to name a few.
Most of my professional relationships and connections are lengthy and longstanding. I care about delivering good work and people naturally come back as a result.
For raw development I use CaptureOne, then transition to Photoshop where most of the work and all kinds of shenanigans are happening. For fine color adjustments I prefer to temporarily take the shots inside DaVinci Resolve. Every stroke is made on a Wacom tablet.
YOURS TRULY
hi@andrei-ivascu.ro
(+40) 767 642 657
SEND A MESSAGE
YOURS TRULY
hi@andrei-ivascu.ro
(+40) 767 642 657
SEND A MESSAGE